In Unmaking Mimesis Elin Diamond interrogates the concept of mimesis in relation to feminism, theatre and performance. She combines psychoanalytic, semiotic and materialist strategies with readings of selected plays by writers as diverse as Ibsen, Brecht, Aphra Behn, Caryl Churchill and Peggy Shaw.
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Get this from a library! Unmaking mimesis: essays on feminism and theater. (Elin Diamond) -- Through a a series of provocative readings of theatre, theory and feminist performance, Elin Diamond demonstrates the continuing force of feminism and mimesis in critical thinking today. This book.
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Unmaking Mimesis by Elin Diamond, 9780415012294, available at Book Depository with free delivery worldwide.
Unmaking Mimesis: Essays on Feminism and Theatre (English Edition) eBook: Diamond, Elin: Amazon.it: Kindle Store.
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Elin Diamond Routledge, 1997. In Unmaking Mimesis, Professor Elin Diamond interrogates the concept of mimesis in relation to feminism, theater and performance.She combines psychoanalytic, semiotic, and materialist perspectives with readings of plays by such diverse dramatists as Ibsen, Brecht, Aphra Behn, Caryl Churchill and Peggy Shaw.
Feminism and theatre By Case, Sue-Ellen. Paperback. English. Published Basingstoke: Macmillan, 1988. The Routledge reader in gender and performance Paperback. English.
Theatre (New York: Routledge, 1995); Helene Keyssar, Feminist Theatre and Theory (London and New York: St. Martin’s Press, 1996), and Elin Diamond, Unmaking Mimesis, Essays on Feminism and Theater (London and New York: Routledge, 1997).
Feminism and Theatre by Sue Ellen Case and Elaine Aston, Palgrave MacMillan, 2008 Sex on Stage: Gender and Sexuality in Post-War British Theatre by A. Wyllie, University of Chicago Press, 2009 Unmaking Mimesis: Essays on Feminism and Theatre by Elin Diamond, Routledge, 1997.
Abstract. This article considers the six plays written by Caryl Churchill between 2000 and 2012 (Far Away, A Number, Drunk Enough to Say I Love You?, Seven Jewish Children, Love and Information and Ding Dong the Wicked) in relation to the vision of feminist theatre offered in Sue-Ellen Case’s “Towards a New Poetics,” the final chapter of her 1988 study Feminism and Theatre.